Regarding instrumentality, I feel like the execution of the horns is perfect.  Tonally, Hanoi Ragmen are adventurous without being "extra." At times, I find myself thinking I am hearing completely different instruments, but alas, it is simply a wonderful, creative job with the horns in the song and mix. This song seems right at home on stage, with infinite spacing for solos or "rides" as they are often referred to. There is almost a thematic quality to the progressions the Hanoi Ragmen employ, representative of a mature collective that has an understanding that songwriting is and should be comprised of more than one fun element. Hanoi Ragmen provide us with a layered insightful piece. Isaac Adhoot, Kostia Howard and Marian Morton deliver strong horn parts, which, alongside a solid rhythm section, give a certain swagger that you just can't fake.

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"Creatures" is a track, recently released via 72RPM Records, with Rachael Dunn (SirenSong) providing vocals. Beginning with a driving rock beat and crunchy guitar, Joy adds spacey layers to the composition as Dunn's bright vocals make their entrance. The song starts out sonically sweet, but the lyrics create a creepy gotta-get-outta-here vibe, becoming more and more haunting as the atmospherics expand and float into outer space.

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"Quarry" is the second single from the forthcoming record. The song begins with a lush sonic scape; electronic elements swirl around a lazy, but but driving beat. Jeter's vocals compliment the atmospheric track - an added calmness to an already mellow sound. "Quarry" is both relaxing and playful. It's a peaceful song for those who need a break from the daily grind. Jeter sings an invitation to the listener, "if your head is heavy, come float with me," and I suggest you join her.

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"Your Enemy" is SHAR's latest single, released in February this year. The track begins with ambient industrial sounds, which mutate into an atmospheric layer as the composition builds. A synthy bass sound pushes the song along, accentuated by kick and snare hits, waiting for SHAR's vocals to enter. When the vocals do come in, they are accompanied by keys, causing the track promptly bloom into lush harmonies. "Your Enemy" gives off some serious trip-hop vibes, resembling a stylistic blend of Massive Attack and Glasser. Listen to this track  when you find yourself wanting to relax and deal with the nuances of a love/hate relationship.

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​Tomorrow we will see the full release of his new album, Abloom, on Shore Dive Records. For today, we'll enjoy the single, "Joab." The song begins with a twangy pop-rock guitar riff that instantly generates a nostalgic 90s atmosphere and sets an upbeat pace. A steady rock beat, playful bass line, and Phil's vocals arrive to propel the track forward. Additional acoustic and electronic elements come in and out of the track, pushing and pulling to accentuate lush sonic layers. "Joab" is a song to listen to on a rainy summer day, when rays of sunlight sparkle through parting clouds. The Raft will leave you with a feeling of nostalgia and the urge to take a road trip. 

"Release" is dark and atmospheric, structured around Erving's ethereal and spine-tingling vocal lines. The track begins with a downtempo electronic beat, vocals, and synth. The composition blossoms and pulls back, hinting at a hook, but not too worried about making it catchy. Between the vocals and progression of the track, I am reminded of the stylings of Natasha Khan (Bat for Lashes) and Björk. This track wasn't made for the dance club, but for a listener who is couch-locked and introspective. I'm looking forward to hearing more and to having access to Shrines on other platforms! For the meantime, I'm excited about finding this hidden gem.

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"You and I" is the first track from Anja Kicken's debut EP. The song immediately delivers  a warm and romantic atmosphere with minimal keys and a sample of a crackling fireplace. As Anja's vocals enter the mix, my expectations are set to hear an intimate piano ballad, but a deep, groovy synth and rock beat arrive to subvert them. The track is still totally a love song, written for new lovers, packaged in a downtempo/indielectro/R&B wrapper. Listen to this when you're feeling both wistful and hopeful - Anja won't let you down.

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"Not Your Type" is one of Bailie's most recent tracks, currently released on Soundcloud, but I'm hoping for a wider release on other platforms. The song begins with an atmospheric synth and Bailie's vocals, which remind me slightly of Michelle Zauner of Japanese Breakfast, though Bailie's lyrical content isn't quite as dark. The track eventually adds layers of glittering arpeggiated synth, drums, and additional electronic sounds. Even though the composition is built with electronic elements, the fabricated ambiance manages to have an acoustic feel about it. "Not Your Type" is a breakup song meant for passing ships in the night - sometimes people just don't line up - the track is sad, but hopeful. 

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"Hebedo" is the second single released from Apoptosis, and it showcases Liyv's ethereal voice and her talent composing experimental soundscapes. The track begins with some skittering electronic sounds over a deep synth and playful keys, pulling back as Liyv's vocals add new depth. I can't help but think of Megan James' (of Purity Ring) vocal stylings as I listen to "Hebedo" - spritely and playful. The song takes quite a few turns in it's short duration, making the experience feel much longer than in reality. I can only compare the track to a piece of origami, a piece of paper deliberately folded to create something three-dimensional. Put Liyv's music on and take a long walk - I guarantee she'll add a bit of magic to your day.   

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The audio aesthetic, matching tones, timbre, the development of the groove throughout the song - all these variables play into what makes a groove legit. Tiger Mimic approaches grooves with a focus and swagger that only maturing musicians can achieve. It's about picking spots, biding time and knowing when to "open up." The guitarist's tone selections through out the lead lines show attitude without blowing the spot up. "I Took Off My Body" is dripping with sensuality without being transparent, giving the song depth. These are hallmarks of a song that will leave your ears happy as it plays on repeat. Bravo.

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